Amber Lunt’s Camberwell Residency artworks seem to explore the scarification of landscapes. Drapes of pixilated ecology contemplate the fabric of our societal landscape. Her use of natural materials juxtaposes the technologically processed aesthetic, deliberating the bounds of digital and non-digital realms. The ‘trunk’ of the tree-body monolith, embellished with eyes, envisions a harm to the bodies of nature and people.
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